Approaching the Ideological Connotation of QIAN Zhong-shu’s Novels
Zhijun Huang
Abstract
Zhijun Huang
Abstract
The synchronism of QIAN Zhong-shu’s novels determines the basic ideological connotation displayed in his fictions: moral approaching and criticizing the humanity’s deep-rooted evil habits; revealing the mental state of the intellectuals during the resistance war against Japanese; elaborating the main characters’ hypocritical life and spirits; portraying the people in “town besieged” wanted in vain to free themselves from marriage troubles and to convert themselves to a pure world; and interpreting the loneliness of life and the distortion and alienation of love and beauty.
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The synchronism of QIAN Zhong-shu’s novels determines the basic ideological connotation displayed in his fictions: moral approaching and criticizing the humanity’s deep-rooted evil habits; revealing the mental state of the intellectuals during the resistance war against Japanese; elaborating the main characters’ hypocritical life and spirits; portraying the people in “town besieged” wanted in vain to free themselves from marriage troubles and to convert themselves to a pure world; and interpreting the loneliness of life and the distortion and alienation of love and beauty.
Key concepts: Ideology, Connotation, Humanity, Alienation, Loneliness, Beauty, Aesthetics, Resistance (ecology)