1999•Neimenggu Shi-da xuebao. Zhexue shehui kexue hanwen banRequires access

EXPLORATION OF THE THEORY ON “ THE VIGOR OF SYLE” IN ANCIENT CHINA

Qing Wan

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Abstract

?Qi ” ( vigor ) is the kernel of the Chinese culture. As Qi of a piece of writing, it can be divided into three : The Qi of the author, the Qi of the creation , and the Qi of the text. Thus can be deduced the three components of the theory on “vigor of style” : the theory on “cultivating Qi” concerning the author; the theory on “ directing Qi” concerning creation, and the theory on Qi of spirit concerning the text.The theory on“the vigor of style” is so important to the author - creatition - text that it has become the core of the theories on Chinese writings.

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What this paper is about

?Qi ” ( vigor ) is the kernel of the Chinese culture. As Qi of a piece of writing, it can be divided into three : The Qi of the author, the Qi of the creation , and the Qi of the text. Thus can be deduced the three components of the theory on “vigor of style” : the theory on “cultivating Qi” concerning the author; the theory on “ directing Qi” concerning creation, and the theory on Qi of spirit concerning the text.The theory on“the vigor of style” is so important to the author - creatition - text that it has become the core of the theories on Chinese writings.

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Available abstract

?Qi ” ( vigor ) is the kernel of the Chinese culture. As Qi of a piece of writing, it can be divided into three : The Qi of the author, the Qi of the creation , and the Qi of the text. Thus can be deduced the three components of the theory on “vigor of style” : the theory on “cultivating Qi” concerning the author; the theory on “ directing Qi” concerning creation, and the theory on Qi of spirit concerning the text.The theory on“the vigor of style” is so important to the author - creatition - text that it has become the core of the theories on Chinese writings.

Key concepts: Style (visual arts), China, Core (optical fiber), Philosophy, Traditional medicine, Psychology, Epistemology, Literature

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