On Mi Fu and His Calligraphy Art View under the Influence of the Aesthetic Spirit of the Calligraphy in the Song Dynasty
Qingyang Liu
Abstract
Qingyang Liu
Abstract
Calligraphy as an art had a greater innovation in running handwriting after the peak period of the Tang Dynasty ’regular handwriting,Calligraphy style was also transformed from Rule Advocating of the Tang Dynasty into Nature Adoration of the Song Dynasty.In particular,four calligraphers of the Song Dynasty played an important role in this transformation.Mi Fu,as one of the four calligraphers,created a new form of calligraphy and hold high the banner of individual character.His calligraphy art view shows distinct personality and produced the further influence for future generations.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
Calligraphy as an art had a greater innovation in running handwriting after the peak period of the Tang Dynasty ’regular handwriting,Calligraphy style was also transformed from Rule Advocating of the Tang Dynasty into Nature Adoration of the Song Dynasty.In particular,four calligraphers of the Song Dynasty played an important role in this transformation.Mi Fu,as one of the four calligraphers,created a new form of calligraphy and hold high the banner of individual character.His calligraphy art view shows distinct personality and produced the further influence for future generations.
Key concepts: Calligraphy, Handwriting, Adoration, Style (visual arts), Character (mathematics), Art, Banner, Literature