2011Journal of Hunan City UniversityRequires access

The Expression Strategy And the Narrative Style of Chinese Large Film

Yuqi Liu

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Abstract

China's movies had come to an unprecedented large films time since new century.Those Chinese large films started their narrations in a completely new cultrul background which the power balance between China and the West had changed,showing an obvious characteristic to sew up the cleavage between China and the West's markets.This is the most basic factor which decided the expression strategy and the narrative style of Chinese large films.On one hand,by means of using the dual character of Chinese cultural elements and symbols,these not only satisfied Chinese people's new imagination of themslves,but also catered to the west people's old imagination of China.On the other hand,by using the universal ideal of humanity,Chinese large film sewed up the China and the west's makets more profoudly and more secretly.

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What this paper is about

China's movies had come to an unprecedented large films time since new century.Those Chinese large films started their narrations in a completely new cultrul background which the power balance between China and the West had changed,showing an obvious characteristic to sew up the cleavage between China and the West's markets.This is the most basic factor which decided the expression strategy and the narrative style of Chinese large films.On one hand,by means of using the dual character of Chinese cultural elements and symbols,these not only satisfied Chinese people's new imagination of themslves,but also catered to the west people's old imagination of China.On the other hand,by using the universal ideal of humanity,Chinese large film sewed up the China and the west's makets more profoudly and more secretly.

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Available abstract

China's movies had come to an unprecedented large films time since new century.Those Chinese large films started their narrations in a completely new cultrul background which the power balance between China and the West had changed,showing an obvious characteristic to sew up the cleavage between China and the West's markets.This is the most basic factor which decided the expression strategy and the narrative style of Chinese large films.On one hand,by means of using the dual character of Chinese cultural elements and symbols,these not only satisfied Chinese people's new imagination of themslves,but also catered to the west people's old imagination of China.On the other hand,by using the universal ideal of humanity,Chinese large film sewed up the China and the west's makets more profoudly and more secretly.

Key concepts: China, Narrative, Humanity, Expression (computer science), Chinese people, Style (visual arts), Ideal (ethics), Aesthetics

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