2004•Journal of Jiangsu UniversityRequires access

Commenting on "Ding Shi" in The Literary Mind and the Carving of Dragons

Jianmin Wu

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Abstract

or literary appearance is a unique theoretical category of classical Chinese literary theory. It was originated in Ding Shi (Determining the Literary Appearance) in Liu Xie's The Literary Mind and the Carving of Dragons. Wen Shi, which concerns literary forms, is involved with such factors as phonetics, words, sentences in its formation. It is characterized by its mobility, inclusiveness and variety and has a great aesthetical effect on readers. Liu Xie's Wen theory has a great significance for today's literary creation and theoretical research.

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or literary appearance is a unique theoretical category of classical Chinese literary theory. It was originated in Ding Shi (Determining the Literary Appearance) in Liu Xie's The Literary Mind and the Carving of Dragons. Wen Shi, which concerns literary forms, is involved with such factors as phonetics, words, sentences in its formation. It is characterized by its mobility, inclusiveness and variety and has a great aesthetical effect on readers. Liu Xie's Wen theory has a great significance for today's literary creation and theoretical research.

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Available abstract

or literary appearance is a unique theoretical category of classical Chinese literary theory. It was originated in Ding Shi (Determining the Literary Appearance) in Liu Xie's The Literary Mind and the Carving of Dragons. Wen Shi, which concerns literary forms, is involved with such factors as phonetics, words, sentences in its formation. It is characterized by its mobility, inclusiveness and variety and has a great aesthetical effect on readers. Liu Xie's Wen theory has a great significance for today's literary creation and theoretical research.

Key concepts: Carving, Variety (cybernetics), Literature, Literary theory, Literary science, Philosophy, Literary criticism, Art

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