An introduction to the Gonganxiayi opera in lately Qing Dynasty
Miao Huai
Abstract
Miao Huai
Abstract
To be combined with historical materials and specific works, this thesis sorts out and analyses Gonganxiayi opera of producing developing in lately Qing Dynasty in Beijing. The course is divided into three periods: the beginning, the form and the flourish. The special features in every period are summed up. Besides, this thesis probes in the good relationship between the Gonganxiayi opera and the Beijing opera especially.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
To be combined with historical materials and specific works, this thesis sorts out and analyses Gonganxiayi opera of producing developing in lately Qing Dynasty in Beijing. The course is divided into three periods: the beginning, the form and the flourish. The special features in every period are summed up. Besides, this thesis probes in the good relationship between the Gonganxiayi opera and the Beijing opera especially.
Key concepts: Opera, Beijing, Period (music), History, Art, Ancient history, Art history, China