2004Journal of Guangzhou UniversityRequires access

Polyphony in metafiction

Chao Zeng

Open publisher page 0 citations

Abstract

Through analyzing metafiction with M.M. Bakhtin's theory of polyphony, the author holds that metafiction exists in the borderline territory between fiction and criticism as well as between art and real life. Metafiction itself is the outcome of the dialogic communication between art and real life. The essay is an attempt to provide a new approach to metafiction analysis.

About this research paper

What this paper is about

Through analyzing metafiction with M.M. Bakhtin's theory of polyphony, the author holds that metafiction exists in the borderline territory between fiction and criticism as well as between art and real life. Metafiction itself is the outcome of the dialogic communication between art and real life. The essay is an attempt to provide a new approach to metafiction analysis.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Through analyzing metafiction with M.M. Bakhtin's theory of polyphony, the author holds that metafiction exists in the borderline territory between fiction and criticism as well as between art and real life. Metafiction itself is the outcome of the dialogic communication between art and real life. The essay is an attempt to provide a new approach to metafiction analysis.

Key concepts: Metafiction, Polyphony, Dialogic, Criticism, Literature, History, Art, Aesthetics

Related papers

Back to paper searchBrowse research topicsOriginal source
Polyphony in metafiction — Research Paper | ScholarLens