“Cultural religion spirit” in 1940s’Chinese literature
Pingping Zhang
Abstract
Pingping Zhang
Abstract
In 1940s', the Chiese literature appeared as the combination of many kinds of cultures, including religion and philosophy.Zhang Ai - ling,Xu Xu, Lu Qiao and Wu Ming - shi are authars of this kind. Religious culture spirit is a concept based firstly oncultural meanings and secondy on the religious meanings. It is an ideal pursuit of which authors lived in 1940s took to surpass thechaos from external surroundings. They have always been searching the living meaning and during which they had a relation with reli-gion blankly or self - consciously. And the most important thesis is religion resemblance with philosophy. During the course of lookingfor the life meaning, authors learn and expeess death, which is an unsurpassable phenomenon to human being. For that, works in the1940s' took a new look because of the particular society and abatract considerations.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
In 1940s', the Chiese literature appeared as the combination of many kinds of cultures, including religion and philosophy.Zhang Ai - ling,Xu Xu, Lu Qiao and Wu Ming - shi are authars of this kind. Religious culture spirit is a concept based firstly oncultural meanings and secondy on the religious meanings. It is an ideal pursuit of which authors lived in 1940s took to surpass thechaos from external surroundings. They have always been searching the living meaning and during which they had a relation with reli-gion blankly or self - consciously. And the most important thesis is religion resemblance with philosophy. During the course of lookingfor the life meaning, authors learn and expeess death, which is an unsurpassable phenomenon to human being. For that, works in the1940s' took a new look because of the particular society and abatract considerations.
Key concepts: Meaning (existential), Relation (database), Ideal (ethics), Epistemology, Phenomenon, Philosophy, Zhàng, Sociology