Sino-Western Comparison and the Research of Chinese Classical Painting Theory
Gengyu Zhang
Abstract
Gengyu Zhang
Abstract
As Chinese traditional painting theory is losing its theoretical explanatory power to practical problems of contemporary Chinese art,marginalized and aphasia have became a symptom of cultural tradition painting.How to fulfill the modern conversion of the traditional Chinese painting theory became the biggest issue that the study of Chinese painting theory is facing in 21st century.Strengthen the comparative study of Sino-Western painting theory not only contributes to the achievement of traditional Chinese painting theory discourse in the modern transformation and reconstruction,but also contributes to the achievement of Chinese contemporary painting system's construction and integrated innovation.
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As Chinese traditional painting theory is losing its theoretical explanatory power to practical problems of contemporary Chinese art,marginalized and aphasia have became a symptom of cultural tradition painting.How to fulfill the modern conversion of the traditional Chinese painting theory became the biggest issue that the study of Chinese painting theory is facing in 21st century.Strengthen the comparative study of Sino-Western painting theory not only contributes to the achievement of traditional Chinese painting theory discourse in the modern transformation and reconstruction,but also contributes to the achievement of Chinese contemporary painting system's construction and integrated innovation.
Key concepts: Painting, Chinese painting, Aesthetics, Art, Power (physics), Chinese art, Modern art, Visual arts