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The Controversy on Bai Ju-yi's Poems Classical Poetical Criticism of China

HU Jian-ci

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Abstract

The locus of the controversy on Bai Ju-yi's poems in classical poetical criticism shows four courses: the first, Middle-Tang till Early-Song Dynasty, the critics main views were praising his poems' every space, the second, Middle-Bei Song Dynasty, it began to appear a more large scale denouncing to his poems; the third, Ming Dynasty, the poetical critism clearly strengthened the personal feelings Bai Ju-yi and his poems generaly were denied; the forth, Qing Dynasty, the controversy on Bai Ju-yi's poems finally entered the all-round and deepen analyse.

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The locus of the controversy on Bai Ju-yi's poems in classical poetical criticism shows four courses: the first, Middle-Tang till Early-Song Dynasty, the critics main views were praising his poems' every space, the second, Middle-Bei Song Dynasty, it began to appear a more large scale denouncing to his poems; the third, Ming Dynasty, the poetical critism clearly strengthened the personal feelings Bai Ju-yi and his poems generaly were denied; the forth, Qing Dynasty, the controversy on Bai Ju-yi's poems finally entered the all-round and deepen analyse.

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Available abstract

The locus of the controversy on Bai Ju-yi's poems in classical poetical criticism shows four courses: the first, Middle-Tang till Early-Song Dynasty, the critics main views were praising his poems' every space, the second, Middle-Bei Song Dynasty, it began to appear a more large scale denouncing to his poems; the third, Ming Dynasty, the poetical critism clearly strengthened the personal feelings Bai Ju-yi and his poems generaly were denied; the forth, Qing Dynasty, the controversy on Bai Ju-yi's poems finally entered the all-round and deepen analyse.

Key concepts: Poetry, Criticism, Literature, Feeling, China, Art, History, Philosophy

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