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Poetic Intensity Adding Flowers to Lingering Charm——On Xu Yuan-chong's English Version of 300 Chinese-English Poems of Tang Dynasty

Bian Fu-ying

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Abstract

Many years' translation practice in the field of poems enables Professor Xu Yuan-chong to his unique theory of translation aesthetics which is characterized as meaning beauty,sound beauty and form beauty.In terms of words choice and solution of the rhythm,this paper,based on Xu Yuan-chong's English version of 300 Chinese-English Poems of Tang Dynasty,analyzes the achievements of meaning beauty,sound beauty andform beauty in the said book.

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What this paper is about

Many years' translation practice in the field of poems enables Professor Xu Yuan-chong to his unique theory of translation aesthetics which is characterized as meaning beauty,sound beauty and form beauty.In terms of words choice and solution of the rhythm,this paper,based on Xu Yuan-chong's English version of 300 Chinese-English Poems of Tang Dynasty,analyzes the achievements of meaning beauty,sound beauty andform beauty in the said book.

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Available abstract

Many years' translation practice in the field of poems enables Professor Xu Yuan-chong to his unique theory of translation aesthetics which is characterized as meaning beauty,sound beauty and form beauty.In terms of words choice and solution of the rhythm,this paper,based on Xu Yuan-chong's English version of 300 Chinese-English Poems of Tang Dynasty,analyzes the achievements of meaning beauty,sound beauty andform beauty in the said book.

Key concepts: Beauty, Poetry, Meaning (existential), Charm (quantum number), Literature, Art, Aesthetics, Philosophy

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Poetic Intensity Adding Flowers to Lingering Charm——On Xu Yuan-chong's English Version of 300 Chinese-English Poems of Tang Dynasty — Research Paper | ScholarLens