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2014•Unpublished venueRequires access

ZHANG Ai-ling's Tragedy Creation and the "May 4" literature

Yan Mei-jin

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Abstract

In the 20th century China was in a stormy times, when tragedies were breeding in the real life and literary works. With her tragedy works and style in ancient and modern China, ZHANG Ai-ling stands out the literature garden. ZHANG Ai-ling's tragedy creation not only is inheritance of Chinese tradition,but also is transcendence of both the May 4 New Literature tragedy. Meanwhile, ZHANG Ai-ling's unique tragic creation made certain contribution to the worldwide expansion of modern tragedy connotation.

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What this paper is about

In the 20th century China was in a stormy times, when tragedies were breeding in the real life and literary works. With her tragedy works and style in ancient and modern China, ZHANG Ai-ling stands out the literature garden. ZHANG Ai-ling's tragedy creation not only is inheritance of Chinese tradition,but also is transcendence of both the May 4 New Literature tragedy. Meanwhile, ZHANG Ai-ling's unique tragic creation made certain contribution to the worldwide expansion of modern tragedy connotation.

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Available abstract

In the 20th century China was in a stormy times, when tragedies were breeding in the real life and literary works. With her tragedy works and style in ancient and modern China, ZHANG Ai-ling stands out the literature garden. ZHANG Ai-ling's tragedy creation not only is inheritance of Chinese tradition,but also is transcendence of both the May 4 New Literature tragedy. Meanwhile, ZHANG Ai-ling's unique tragic creation made certain contribution to the worldwide expansion of modern tragedy connotation.

Key concepts: Tragedy (event), Zhàng, Connotation, Inheritance (genetic algorithm), Literature, Transcendence (philosophy), China, Style (visual arts)

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