2014Yishu yu shejiRequires access

The Study of Animation Creation in the View of “Respected Classics”and National Identity Reconstruction

Shi Xi

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Abstract

How to make use of the traditional culture in the contemporary regeneration is already a cliche topic, many of the animation creation finished the modern transformation with traditional habits. The growing animation creator mixed their spirit of the age and the individual talent,at the same time, also enhanced the value and status of those concepts,such as nation, traditional, classic effectively. In the fierce competition with the works form Europe and the United States, Japan and South Korea and other countries, national animation can compete with them,and participated in the ethnic groups of the Chinese nation and exert a subtle influence on cognitive common building.

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What this paper is about

How to make use of the traditional culture in the contemporary regeneration is already a cliche topic, many of the animation creation finished the modern transformation with traditional habits. The growing animation creator mixed their spirit of the age and the individual talent,at the same time, also enhanced the value and status of those concepts,such as nation, traditional, classic effectively. In the fierce competition with the works form Europe and the United States, Japan and South Korea and other countries, national animation can compete with them,and participated in the ethnic groups of the Chinese nation and exert a subtle influence on cognitive common building.

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Available abstract

How to make use of the traditional culture in the contemporary regeneration is already a cliche topic, many of the animation creation finished the modern transformation with traditional habits. The growing animation creator mixed their spirit of the age and the individual talent,at the same time, also enhanced the value and status of those concepts,such as nation, traditional, classic effectively. In the fierce competition with the works form Europe and the United States, Japan and South Korea and other countries, national animation can compete with them,and participated in the ethnic groups of the Chinese nation and exert a subtle influence on cognitive common building.

Key concepts: Cliché, Animation, National identity, Competition (biology), Ethnic group, Identity (music), Value (mathematics), Aesthetics

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