2006Journal of Henan University of Science & TechnologyRequires access

Pursuing of Forms of Classical Poems and Realistic-Representing of "Dead Water"

LI Le-ping

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Abstract

The Three Aesthetics which Wen Yiduo pursued were exactly the idiographic practice of his theory.They were not only related to his profound classical culture attainment,but also related to his righthearted and rhadamanthine personality.Although the Dead Water achieved the extremeness of estheticism pursuing undoubtedly,it was also a great work based on Wen Yiduo's real-life experience and reflected his emotion and thoughts.It was a gigantic call of the distressful world as Wen Yiduo was a gramophone of that society.

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The Three Aesthetics which Wen Yiduo pursued were exactly the idiographic practice of his theory.They were not only related to his profound classical culture attainment,but also related to his righthearted and rhadamanthine personality.Although the Dead Water achieved the extremeness of estheticism pursuing undoubtedly,it was also a great work based on Wen Yiduo's real-life experience and reflected his emotion and thoughts.It was a gigantic call of the distressful world as Wen Yiduo was a gramophone of that society.

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The Three Aesthetics which Wen Yiduo pursued were exactly the idiographic practice of his theory.They were not only related to his profound classical culture attainment,but also related to his righthearted and rhadamanthine personality.Although the Dead Water achieved the extremeness of estheticism pursuing undoubtedly,it was also a great work based on Wen Yiduo's real-life experience and reflected his emotion and thoughts.It was a gigantic call of the distressful world as Wen Yiduo was a gramophone of that society.

Key concepts: Nomothetic and idiographic, Poetry, Aesthetics, Personality, Literature, Art, Psychology, Sociology

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