2014Journal of Ankang UniversityRequires access

Probe into the Reasons Mr.Ou Accepted the Poems in the Nan Tang and His Aesthetic in Poems

Chen Ming-xi

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Abstract

The style of ci-poet in Late Tang and Five Dynasties late impact Northern Song Dynasty ci-poet greatly. Compared with HuaJian ci,Southern Tang ci-poet is deep and gentle so it is more likely to be accepted by the Northern Song Dynasty scholar- bureaucrat.Ouyang Xiu is the person connecting past and present in the ci-poet history of northern dynasty. His concept was that the particular article genre had the particular style,so his accepting Southern Tang ci-poet,more can reflect people's culture aesthetic mentality in the northern song dynasty. First,accept Southern Tang cipoet's writing skills of dilute plot and image,to deepen and refine ci-poet for emotion;Second,accept Southern Tang cipoet's writing skill of desalting lust and purring emotion,which can made people's felling be gentle and pure;Third,accepted the deep artistic conception of Southern Tang ci,abandon the widespread artistic conception of it. He accepted the delicate and indirect feelings of southern tang ci,diluted profound feelings. All he did made blurred Artistic conception and swaying emotions. Thus,Ouyang Xiu followed the blurred swaying of aesthetic features,but also followed the Soft and gentle aesthetic ideas of Confucian. The formation of this mentality is fit with the author for the understanding of the ci,particular style fit particular article genre and Confucian culture aesthetic idea. In fact,this was scholar-bureaucrats general state of mind when they accepted southern Tang ci,but this kind of mentality on can not really reflect the author's psychology on the one hand and was tied to Confucian culture the other hand.In view of this,it is not a complete spiritual aesthetic process.

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What this paper is about

The style of ci-poet in Late Tang and Five Dynasties late impact Northern Song Dynasty ci-poet greatly. Compared with HuaJian ci,Southern Tang ci-poet is deep and gentle so it is more likely to be accepted by the Northern Song Dynasty scholar- bureaucrat.Ouyang Xiu is the person connecting past and present in the ci-poet history of northern dynasty. His concept was that the particular article genre had the particular style,so his accepting Southern Tang ci-poet,more can reflect people's culture aesthetic mentality in the northern song dynasty. First,accept Southern Tang cipoet's writing skills of dilute plot and image,to deepen and refine ci-poet for emotion;Second,accept Southern Tang cipoet's writing skill of desalting lust and purring emotion,which can made people's felling be gentle and pure;Third,accepted the deep artistic conception of Southern Tang ci,abandon the widespread artistic conception of it. He accepted the delicate and indirect feelings of southern tang ci,diluted profound feelings. All he did made blurred Artistic conception and swaying emotions. Thus,Ouyang Xiu followed the blurred swaying of aesthetic features,but also followed the Soft and gentle aesthetic ideas of Confucian. The formation of this mentality is fit with the author for the understanding of the ci,particular style fit particular article genre and Confucian culture aesthetic idea. In fact,this was scholar-bureaucrats general state of mind when they accepted southern Tang ci,but this kind of mentality on can not really reflect the author's psychology on the one hand and was tied to Confucian culture the other hand.In view of this,it is not a complete spiritual aesthetic process.

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Available abstract

The style of ci-poet in Late Tang and Five Dynasties late impact Northern Song Dynasty ci-poet greatly. Compared with HuaJian ci,Southern Tang ci-poet is deep and gentle so it is more likely to be accepted by the Northern Song Dynasty scholar- bureaucrat.Ouyang Xiu is the person connecting past and present in the ci-poet history of northern dynasty. His concept was that the particular article genre had the particular style,so his accepting Southern Tang ci-poet,more can reflect people's culture aesthetic mentality in the northern song dynasty. First,accept Southern Tang cipoet's writing skills of dilute plot and image,to deepen and refine ci-poet for emotion;Second,accept Southern Tang cipoet's writing skill of desalting lust and purring emotion,which can made people's felling be gentle and pure;Third,accepted the deep artistic conception of Southern Tang ci,abandon the widespread artistic conception of it. He accepted the delicate and indirect feelings of southern tang ci,diluted profound feelings. All he did made blurred Artistic conception and swaying emotions. Thus,Ouyang Xiu followed the blurred swaying of aesthetic features,but also followed the Soft and gentle aesthetic ideas of Confucian. The formation of this mentality is fit with the author for the understanding of the ci,particular style fit particular article genre and Confucian culture aesthetic idea. In fact,this was scholar-bureaucrats general state of mind when they accepted southern Tang ci,but this kind of mentality on can not really reflect the author's psychology on the one hand and was tied to Confucian culture the other hand.In view of this,it is not a complete spiritual aesthetic process.

Key concepts: Poetry, Feeling, Style (visual arts), Lust, Literature, Five Dynasties, Aesthetics, History

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