On the "Double Beauty Theory" of the Drama in the Late Ming Dynasty

Facing the different aesthetic tendencies of Tang Xianzhu and Shen Jing,the theorists of drama in Late Ming Dynasty used to parallelize and contrast them and therefore drew the ideal conclusion of rule and talent combining beauty.However,in pursuing the hiding and tiny sensitive value,its connotation is bound to change and wind.The theoretical presentation and aesthetic connotation of double beauty theory not only strengthened the argument false appearance of Competition between Tang and Shen,but also decided its own theoretical nature and meaning.