On The Development and the Characteristics of Chinese Scholar's Painting
Zhang Zhen-bian
Abstract
Zhang Zhen-bian
Abstract
The Chinese scholar painting is an integrated art that intensively displays painters' extensive erudition.It came into being between the Northern and the Southern Dynasties;developed in the Tang and the Song dynasties;prospered in the Yuan,the Ming and the Qing dynasties;matured in modern and contemporary history.It lays stress on the subjective re-ink style and pen and ink style,whose theme is about plum,orchid,bamboo and chrysanthemum,as well as flowers and birds,etc.Thus,drawing shifts from the traditional object-imaged analog to symbolic expressing,and the traditional Chinese painting tends to be more and more expressive.
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The Chinese scholar painting is an integrated art that intensively displays painters' extensive erudition.It came into being between the Northern and the Southern Dynasties;developed in the Tang and the Song dynasties;prospered in the Yuan,the Ming and the Qing dynasties;matured in modern and contemporary history.It lays stress on the subjective re-ink style and pen and ink style,whose theme is about plum,orchid,bamboo and chrysanthemum,as well as flowers and birds,etc.Thus,drawing shifts from the traditional object-imaged analog to symbolic expressing,and the traditional Chinese painting tends to be more and more expressive.
Key concepts: Painting, Style (visual arts), Theme (computing), Object (grammar), Chinese painting, Art, Six Dynasties, Visual arts