2005Unpublished venueRequires access

Analysis on Southern Song Dynasty of the Landscape Painting

LU Shu-wei

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Abstract

The main achievement of the landscape painting in the Southern Song Dynasty of lecturer’s synopsis of evaluation and analysis of landscape painting of institute body concentrates on the studio in of institute the southern dynasty, represented by“mayuan”、“xia gui”known as “institute body mountains and rivers”,draw scene of corner on not painting slightly with water black big are vigorous, artistic characteristic that should form the style of the landscape painting with northern song Dynasty widely differently. The turn of the aesthetic style, on one hand come from painter’s experiencing art of xiao jing in the south from northern song dynasty to the southern song dynasty ,even cause the regularity of artistic noumenonn development on the other hand, have close relations with the flourishing development which the scholar drew at the same time. No matter from form, create method, or aesthetic temperament and interest is it think to come, institute’s body landscape painting is all decorated with wing lot of similarity the scholar mountains and rivers in the southern song dynasty. These texts try on from analyses horse far picture wind as it probe into scholar impact on institute’s body landscape painting of drawing to com thoroughly.

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What this paper is about

The main achievement of the landscape painting in the Southern Song Dynasty of lecturer’s synopsis of evaluation and analysis of landscape painting of institute body concentrates on the studio in of institute the southern dynasty, represented by“mayuan”、“xia gui”known as “institute body mountains and rivers”,draw scene of corner on not painting slightly with water black big are vigorous, artistic characteristic that should form the style of the landscape painting with northern song Dynasty widely differently. The turn of the aesthetic style, on one hand come from painter’s experiencing art of xiao jing in the south from northern song dynasty to the southern song dynasty ,even cause the regularity of artistic noumenonn development on the other hand, have close relations with the flourishing development which the scholar drew at the same time. No matter from form, create method, or aesthetic temperament and interest is it think to come, institute’s body landscape painting is all decorated with wing lot of similarity the scholar mountains and rivers in the southern song dynasty. These texts try on from analyses horse far picture wind as it probe into scholar impact on institute’s body landscape painting of drawing to com thoroughly.

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Available abstract

The main achievement of the landscape painting in the Southern Song Dynasty of lecturer’s synopsis of evaluation and analysis of landscape painting of institute body concentrates on the studio in of institute the southern dynasty, represented by“mayuan”、“xia gui”known as “institute body mountains and rivers”,draw scene of corner on not painting slightly with water black big are vigorous, artistic characteristic that should form the style of the landscape painting with northern song Dynasty widely differently. The turn of the aesthetic style, on one hand come from painter’s experiencing art of xiao jing in the south from northern song dynasty to the southern song dynasty ,even cause the regularity of artistic noumenonn development on the other hand, have close relations with the flourishing development which the scholar drew at the same time. No matter from form, create method, or aesthetic temperament and interest is it think to come, institute’s body landscape painting is all decorated with wing lot of similarity the scholar mountains and rivers in the southern song dynasty. These texts try on from analyses horse far picture wind as it probe into scholar impact on institute’s body landscape painting of drawing to com thoroughly.

Key concepts: Painting, Landscape painting, Style (visual arts), Flourishing, Art, Studio, Visual arts, History

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