2000Journal of Jiangxi Institute of EducationRequires access

The Controversy on Tang and Song Poems in Poetical Criticism in the Ming Dynasty

Qiu Mei-qiong

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Abstract

The controversy on poems in the Tang and Song Dynasties is the transitional link of classical poetical criticism, it possesses distinctive characteristics itself which are expressed by the fact that poets usually infer the poems from the “doorway”, dividid them by their estheticsal principle and rigulate the Orthodox and Modification Methodology. All this helps to the achievements in the criticism of expand the controversy on Tang and Song poems in Song and Yuan poetry and accumulate the abundant nutrition for the deepenning the controversy in Qing Poetry. [

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The controversy on poems in the Tang and Song Dynasties is the transitional link of classical poetical criticism, it possesses distinctive characteristics itself which are expressed by the fact that poets usually infer the poems from the “doorway”, dividid them by their estheticsal principle and rigulate the Orthodox and Modification Methodology. All this helps to the achievements in the criticism of expand the controversy on Tang and Song poems in Song and Yuan poetry and accumulate the abundant nutrition for the deepenning the controversy in Qing Poetry. [

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Available abstract

The controversy on poems in the Tang and Song Dynasties is the transitional link of classical poetical criticism, it possesses distinctive characteristics itself which are expressed by the fact that poets usually infer the poems from the “doorway”, dividid them by their estheticsal principle and rigulate the Orthodox and Modification Methodology. All this helps to the achievements in the criticism of expand the controversy on Tang and Song poems in Song and Yuan poetry and accumulate the abundant nutrition for the deepenning the controversy in Qing Poetry. [

Key concepts: Poetry, Criticism, Literature, Philosophy, Classical Chinese poetry, Art

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