2008Journal of Hefei University of TechnologyRequires access

On Two Chinese versions of Emma from the View of Reception Aesthetics

Li Xiang

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Abstract

The paper attempts to analyze the two Chinese versions of Emma from the perspective of reception aesthetics and compare the differences between aesthetics' effect and reader's reception result of the two versions.The author insists that a translator should concrete the indeterminacy involved in the text properly as well as combine reader's horizon and text's together harmoniously,and then improve the aesthetic effect of the translated version.

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What this paper is about

The paper attempts to analyze the two Chinese versions of Emma from the perspective of reception aesthetics and compare the differences between aesthetics' effect and reader's reception result of the two versions.The author insists that a translator should concrete the indeterminacy involved in the text properly as well as combine reader's horizon and text's together harmoniously,and then improve the aesthetic effect of the translated version.

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Available abstract

The paper attempts to analyze the two Chinese versions of Emma from the perspective of reception aesthetics and compare the differences between aesthetics' effect and reader's reception result of the two versions.The author insists that a translator should concrete the indeterminacy involved in the text properly as well as combine reader's horizon and text's together harmoniously,and then improve the aesthetic effect of the translated version.

Key concepts: Indeterminacy (philosophy), Perspective (graphical), Aesthetics, Reception theory, Horizon, Computer science, Art, Linguistics

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