2010•Journal of Sichuan College of EducationRequires access

An Analysis of Metafictional Devices in The Hours

Dong Xiao

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Abstract

As a successful rewriting of British novelist Virginia Woolf's Mrs.Dalloway,The Hours written by American contemporary writer Michael Cunningham is the 1999 Pulitzer Prize for Fiction winner.The novel is not merely a gloss on or homage to the hypotext,but a postmodernist work with its own unique identity,which has been mainly reflected in the three metafictional devices adopted,i.e.self-reflexivity,parody and stories within stories.These devices play significant roles in deepening and broadening the theme of the text.

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As a successful rewriting of British novelist Virginia Woolf's Mrs.Dalloway,The Hours written by American contemporary writer Michael Cunningham is the 1999 Pulitzer Prize for Fiction winner.The novel is not merely a gloss on or homage to the hypotext,but a postmodernist work with its own unique identity,which has been mainly reflected in the three metafictional devices adopted,i.e.self-reflexivity,parody and stories within stories.These devices play significant roles in deepening and broadening the theme of the text.

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Available abstract

As a successful rewriting of British novelist Virginia Woolf's Mrs.Dalloway,The Hours written by American contemporary writer Michael Cunningham is the 1999 Pulitzer Prize for Fiction winner.The novel is not merely a gloss on or homage to the hypotext,but a postmodernist work with its own unique identity,which has been mainly reflected in the three metafictional devices adopted,i.e.self-reflexivity,parody and stories within stories.These devices play significant roles in deepening and broadening the theme of the text.

Key concepts: Reflexivity, Theme (computing), Metafiction, Literature, Identity (music), Art, Rewriting, Aesthetics

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