On the Poetic Theory of ‘Xiang'(响) in Song Dynasty
Zhixian Wang
Abstract
Zhixian Wang
Abstract
The Song poets attached much importance to the character ‘Xiang'(响) when discussing poetry.With the development of poetry in Song Dynasty,the theory of ‘Xiang' went through three stages: first,the poetic Key words and the theory of 'Si Xiang' by Pan Dalin;secondly,the theory of ‘huo fa' and 'huo xiang' by Ye Mengde,Lv Benzhong and Jiang Kui;thirdly,the artistic conception and the theory of ‘xiang of tone' by Wei Qingzhi,Yan Yu and Fang Hui.The theory of ‘Xiang' not only concerns the polishment of local poetry keyword,but emphasizes the extension of the overall poetic conception.Therefore,it became one of theoretical elements guiding Song poetry to grow mature.
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The Song poets attached much importance to the character ‘Xiang'(响) when discussing poetry.With the development of poetry in Song Dynasty,the theory of ‘Xiang' went through three stages: first,the poetic Key words and the theory of 'Si Xiang' by Pan Dalin;secondly,the theory of ‘huo fa' and 'huo xiang' by Ye Mengde,Lv Benzhong and Jiang Kui;thirdly,the artistic conception and the theory of ‘xiang of tone' by Wei Qingzhi,Yan Yu and Fang Hui.The theory of ‘Xiang' not only concerns the polishment of local poetry keyword,but emphasizes the extension of the overall poetic conception.Therefore,it became one of theoretical elements guiding Song poetry to grow mature.
Key concepts: Poetry, Literature, Tone (literature), Character (mathematics), Philosophy, Key (lock), Fang, Extension (predicate logic)