The Theory and History Evolution on the Relations of Ancient Poetry and Painting
Hongliang Zhang
Abstract
Hongliang Zhang
Abstract
The relation of China's ancient traditional poetry and has gone through four stages of development: in the first phase,the establishment of equal status in the comparison of the two,poetic start sprouting;the second phase,the art concept's standard uniform for the shape,poetry continued to develop,poetry on painting(Generalized) appeared and popular;The third stage,the Consistent on poetry and painting appeared and become a sort of common understanding,it is opposite to the shape concept.The two had mutual influence and reference;The fourth stage,the consistent on handwriting and painting had appeared,the theory on the two' similarities and differences become more perfect,the relation of the two to the climax.Here is a process of brewing and accumulate on theory and practice,with a clear theory track and historical evolution.
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The relation of China's ancient traditional poetry and has gone through four stages of development: in the first phase,the establishment of equal status in the comparison of the two,poetic start sprouting;the second phase,the art concept's standard uniform for the shape,poetry continued to develop,poetry on painting(Generalized) appeared and popular;The third stage,the Consistent on poetry and painting appeared and become a sort of common understanding,it is opposite to the shape concept.The two had mutual influence and reference;The fourth stage,the consistent on handwriting and painting had appeared,the theory on the two' similarities and differences become more perfect,the relation of the two to the climax.Here is a process of brewing and accumulate on theory and practice,with a clear theory track and historical evolution.
Key concepts: Poetry, Painting, Handwriting, Relation (database), Literature, Art, Philosophy, History