The End of Chinese Classical Poetry Theory "Artistic Conception " in Chinese Native Land:Analysis of Poetry Theory "Artistic Conception " in Jiangzhai Poetry Talks
Shi Hai-guang
Abstract
Shi Hai-guang
Abstract
Jiangzhai Poetry Talks thoroughly and subtly expounded the relationship between feeling and setting, endless meaning in poetry, centralizedly embodied Wang Fu-zhi′s poetry theory of Artistic Conception. His theory was constructed in the frame of Confucianism after combining two groups of traditional poetry theory Yanzhi and Yuanqing, being a comprehensive expression. So Wang Fu-zhi′s poetry theory of Artistic marked the end of Chinese traditional poetry theory Artistic Conception in Chinese native land. Wang Fu-zhi carried forward the cause and Wang Guo-wei forged ahead into the future, making the classical poetry theory Artistic Conception still radiates vigour today.
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Jiangzhai Poetry Talks thoroughly and subtly expounded the relationship between feeling and setting, endless meaning in poetry, centralizedly embodied Wang Fu-zhi′s poetry theory of Artistic Conception. His theory was constructed in the frame of Confucianism after combining two groups of traditional poetry theory Yanzhi and Yuanqing, being a comprehensive expression. So Wang Fu-zhi′s poetry theory of Artistic marked the end of Chinese traditional poetry theory Artistic Conception in Chinese native land. Wang Fu-zhi carried forward the cause and Wang Guo-wei forged ahead into the future, making the classical poetry theory Artistic Conception still radiates vigour today.
Key concepts: Poetry, Embodied cognition, Literature, Feeling, Chinese poetry, Meaning (existential), Philosophy, Classical Chinese poetry