On the Lyrical Connotation and Art Construction of Functional Pavilion's Imagery in Song Ci
Huimin Wang
Abstract
Huimin Wang
Abstract
Pavilion,an unique and functional architectural form among ancient Chinese architecture,compresses the form beauty quintessence of Chinese landscape architecture and integrates practicability and beauty.As a result,it gets closely related to literature and has gradually developed into an imagery provided with distinctive cultural connotations and symbolic significance during the long history of literary practice.The poets of Song dynasty frequently used'the functional pavilion'as the core carrier in their works,as well as ingeniously combining with various traditional imageries to created a variety of racking imageries,such as the pain of parting,the suffering of lovesickness,the sorrow of home-sickness,and the resentment of pedestrians'non-returning,which expresses affluent tragic aesthetics connotations and makes Song Ci possess more moving artistic charm.
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Pavilion,an unique and functional architectural form among ancient Chinese architecture,compresses the form beauty quintessence of Chinese landscape architecture and integrates practicability and beauty.As a result,it gets closely related to literature and has gradually developed into an imagery provided with distinctive cultural connotations and symbolic significance during the long history of literary practice.The poets of Song dynasty frequently used'the functional pavilion'as the core carrier in their works,as well as ingeniously combining with various traditional imageries to created a variety of racking imageries,such as the pain of parting,the suffering of lovesickness,the sorrow of home-sickness,and the resentment of pedestrians'non-returning,which expresses affluent tragic aesthetics connotations and makes Song Ci possess more moving artistic charm.
Key concepts: Pavilion, Connotation, Beauty, Aesthetics, Architecture, Art, Charm (quantum number), Literature