From Wei-Jin Style to Mid-Tang Spirit
Liu Huai-rong
Abstract
Liu Huai-rong
Abstract
Based on the improvement of Style, the Spirit is a new national cultural ideal and a new pattern of spirit. Viewed from the intellectual's personality and the change of the relationship between metaphysicians and Confucians, it has three obvious features: natural congeniality, non-secularity and the variety of inner need. The inner tension and anxiety demonstrated by intellectuals of Wei-Jin dynasties disappeared among the intellectuals of Mid-Tang dynasty. Therefore, they have a more complete personality, more quiet aesthetic mentality and more careful aesthetic insight.
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Based on the improvement of Style, the Spirit is a new national cultural ideal and a new pattern of spirit. Viewed from the intellectual's personality and the change of the relationship between metaphysicians and Confucians, it has three obvious features: natural congeniality, non-secularity and the variety of inner need. The inner tension and anxiety demonstrated by intellectuals of Wei-Jin dynasties disappeared among the intellectuals of Mid-Tang dynasty. Therefore, they have a more complete personality, more quiet aesthetic mentality and more careful aesthetic insight.
Key concepts: Personality, Style (visual arts), Aesthetics, Secularity, Ideal (ethics), Psychology, Sociology, Social psychology