2012Unpublished venueRequires access

A Double Outmoded Modernist——On Poet Dai Wangshu's Identification and Choice of Writing

Wang Yu-ping

Open publisher page 0 citations

Abstract

Dai Wangshu is taken as a representative symbolist poet in China in the 20th century.At a time when new ideas and issues emerged continuously,his choice of symbolism was not only from his focus on the form,but also deeply involved in his psychological demand.However,Dai converted to Spanish modernism instead of exploring his symbolism writing when he was in France.This paper examines the double outmoded poet to regain a understanding of the complexity of China and the subject consciousness of Dai Wangshu.

About this research paper

What this paper is about

Dai Wangshu is taken as a representative symbolist poet in China in the 20th century.At a time when new ideas and issues emerged continuously,his choice of symbolism was not only from his focus on the form,but also deeply involved in his psychological demand.However,Dai converted to Spanish modernism instead of exploring his symbolism writing when he was in France.This paper examines the double outmoded poet to regain a understanding of the complexity of China and the subject consciousness of Dai Wangshu.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Dai Wangshu is taken as a representative symbolist poet in China in the 20th century.At a time when new ideas and issues emerged continuously,his choice of symbolism was not only from his focus on the form,but also deeply involved in his psychological demand.However,Dai converted to Spanish modernism instead of exploring his symbolism writing when he was in France.This paper examines the double outmoded poet to regain a understanding of the complexity of China and the subject consciousness of Dai Wangshu.

Key concepts: Modernism (music), Poetry, Literature, Consciousness, China, Subject (documents), Identification (biology), Focus (optics)

Related papers

Back to paper searchBrowse research topicsOriginal source
A Double Outmoded Modernist——On Poet Dai Wangshu's Identification and Choice of Writing — Research Paper | ScholarLens