2002Unpublished venueRequires access

Dance in Shackles——The duality of HU Feng's art theory

Zhao Bu

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Abstract

Hu Feng's art theory possess duality: It's not only the political tool, but aesthetical creation; It's not only pursuing the accomplishment of a poet's mission, but remember a fighter's responsibility. He puts the whole interest in the first place and takes a single's motivation into consideration as well. The combination of the epoch sense and aesthetics of Hu Feng's art theory come to be the dual nature of art. His theory, harmonizing his dual social roles and making a kind of cultural compromise with the formidable society and political reality, reflects the innate conciousness towards society and art of a Chinese contemporary intellectual.

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Hu Feng's art theory possess duality: It's not only the political tool, but aesthetical creation; It's not only pursuing the accomplishment of a poet's mission, but remember a fighter's responsibility. He puts the whole interest in the first place and takes a single's motivation into consideration as well. The combination of the epoch sense and aesthetics of Hu Feng's art theory come to be the dual nature of art. His theory, harmonizing his dual social roles and making a kind of cultural compromise with the formidable society and political reality, reflects the innate conciousness towards society and art of a Chinese contemporary intellectual.

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Available abstract

Hu Feng's art theory possess duality: It's not only the political tool, but aesthetical creation; It's not only pursuing the accomplishment of a poet's mission, but remember a fighter's responsibility. He puts the whole interest in the first place and takes a single's motivation into consideration as well. The combination of the epoch sense and aesthetics of Hu Feng's art theory come to be the dual nature of art. His theory, harmonizing his dual social roles and making a kind of cultural compromise with the formidable society and political reality, reflects the innate conciousness towards society and art of a Chinese contemporary intellectual.

Key concepts: Compromise, Dance, Duality (order theory), Dual (grammatical number), Aesthetics, Politics, Epistemology, Philosophy

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