2005Journal of Chongqing College of EducationRequires access

Zen and aesthetic standards of Chinese and Japanese traditional arts

Lijing Zhu

Open publisher page 0 citations

Abstract

Zen was born in China, introduced into Japan and has profound influence on Chinese and Japanese traditional aesthetic standards. The common attributes of Zen theory, art thinking and aesthetic gnosis lie in intuitive insight, which makes ancient things be seen in an instant, the wonderful come from commonplace, and abstruse theories come from simplicity. Influenced by Zen, Chinese and Japanese traditional aesthetic standards are characteristic of “comprehension” and “empty”, “indifference” and “meaning”. Both standards stress the indifferent attitude towards ambitions after comprehension. Chinese art aesthetic standard emphasizes the beauty of being free from vulgarity and connotation, while Japanese art aesthetic standard pursues “quietness”, the meaning of tortuous “feelings” and regard commonness and simplicity as beauty.

About this research paper

What this paper is about

Zen was born in China, introduced into Japan and has profound influence on Chinese and Japanese traditional aesthetic standards. The common attributes of Zen theory, art thinking and aesthetic gnosis lie in intuitive insight, which makes ancient things be seen in an instant, the wonderful come from commonplace, and abstruse theories come from simplicity. Influenced by Zen, Chinese and Japanese traditional aesthetic standards are characteristic of “comprehension” and “empty”, “indifference” and “meaning”. Both standards stress the indifferent attitude towards ambitions after comprehension. Chinese art aesthetic standard emphasizes the beauty of being free from vulgarity and connotation, while Japanese art aesthetic standard pursues “quietness”, the meaning of tortuous “feelings” and regard commonness and simplicity as beauty.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Zen was born in China, introduced into Japan and has profound influence on Chinese and Japanese traditional aesthetic standards. The common attributes of Zen theory, art thinking and aesthetic gnosis lie in intuitive insight, which makes ancient things be seen in an instant, the wonderful come from commonplace, and abstruse theories come from simplicity. Influenced by Zen, Chinese and Japanese traditional aesthetic standards are characteristic of “comprehension” and “empty”, “indifference” and “meaning”. Both standards stress the indifferent attitude towards ambitions after comprehension. Chinese art aesthetic standard emphasizes the beauty of being free from vulgarity and connotation, while Japanese art aesthetic standard pursues “quietness”, the meaning of tortuous “feelings” and regard commonness and simplicity as beauty.

Key concepts: Beauty, Aesthetics, Connotation, Meaning (existential), Simplicity, Comprehension, China, The arts

Related papers

Back to paper searchBrowse research topicsOriginal source
Zen and aesthetic standards of Chinese and Japanese traditional arts — Research Paper | ScholarLens