2007•Journal of Beijing Institute of Graphic CommunicationRequires access

Traditional Chinese Painting After Modern Art at the Beginning of Ideological Trend Searches

Gao Yan-mei

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Abstract

The purpose of this paper is to translate the contents of the same postmodernism,as a postindustrial society,to adapt to the culture of thought with the decline of modernism is gradually rising.Post-modernism is not just a cultural thought;it has become a social phenomenon.One can find its penetration in the world we live in every corner.Chinese paintings,from the traditional sense of post-modern industrial machinery,are an anti-social combination of modern methods and modern technology.It can also be attached to the hand and natural values again.Thus,with strong traces of modern special tools,special materials are a part of special post-modern techniques of Chinese painting,which have become a new bright spot.Chinese contemporary artists have created art to further secular culture,consumer culture,and cultural development.Greater compatibility with Chinese paintings will occur in the characteristic changes of this transformation.After the arrival of the modern Chinese painting,change and adaptability is inevitable in the historical development of ideas is the value the community's needs.

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What this paper is about

The purpose of this paper is to translate the contents of the same postmodernism,as a postindustrial society,to adapt to the culture of thought with the decline of modernism is gradually rising.Post-modernism is not just a cultural thought;it has become a social phenomenon.One can find its penetration in the world we live in every corner.Chinese paintings,from the traditional sense of post-modern industrial machinery,are an anti-social combination of modern methods and modern technology.It can also be attached to the hand and natural values again.Thus,with strong traces of modern special tools,special materials are a part of special post-modern techniques of Chinese painting,which have become a new bright spot.Chinese contemporary artists have created art to further secular culture,consumer culture,and cultural development.Greater compatibility with Chinese paintings will occur in the characteristic changes of this transformation.After the arrival of the modern Chinese painting,change and adaptability is inevitable in the historical development of ideas is the value the community's needs.

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Available abstract

The purpose of this paper is to translate the contents of the same postmodernism,as a postindustrial society,to adapt to the culture of thought with the decline of modernism is gradually rising.Post-modernism is not just a cultural thought;it has become a social phenomenon.One can find its penetration in the world we live in every corner.Chinese paintings,from the traditional sense of post-modern industrial machinery,are an anti-social combination of modern methods and modern technology.It can also be attached to the hand and natural values again.Thus,with strong traces of modern special tools,special materials are a part of special post-modern techniques of Chinese painting,which have become a new bright spot.Chinese contemporary artists have created art to further secular culture,consumer culture,and cultural development.Greater compatibility with Chinese paintings will occur in the characteristic changes of this transformation.After the arrival of the modern Chinese painting,change and adaptability is inevitable in the historical development of ideas is the value the community's needs.

Key concepts: Painting, Postmodernism, Modernism (music), Modern art, Post-industrial society, Adaptability, Aesthetics, Cultural phenomenon

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