2004Unpublished venueRequires access

Rhyming in Zhang Lei's New-style Poems in Northern Song Dynasty

Zhang Ling-wu

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Abstract

This paper discusses the rhyming in the new-style poems of Zhang Lei who lived in the late Northern Song Dynasty. One outstanding feature of the new-style poetry was the influence of word borrowing and loaning upon the rhyming scope. Cross-rhyming, as revealed from Zhang Lei's classical-style poems, occurred to a various extent in the form of nasal rhyming among words with -m、-n and - as the ending-syllable consonants. The paper concludes that Zhang Lei's rhyming features reflect the phonetic characteristics of Jiang-Huai Mandarin.

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What this paper is about

This paper discusses the rhyming in the new-style poems of Zhang Lei who lived in the late Northern Song Dynasty. One outstanding feature of the new-style poetry was the influence of word borrowing and loaning upon the rhyming scope. Cross-rhyming, as revealed from Zhang Lei's classical-style poems, occurred to a various extent in the form of nasal rhyming among words with -m、-n and - as the ending-syllable consonants. The paper concludes that Zhang Lei's rhyming features reflect the phonetic characteristics of Jiang-Huai Mandarin.

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Available abstract

This paper discusses the rhyming in the new-style poems of Zhang Lei who lived in the late Northern Song Dynasty. One outstanding feature of the new-style poetry was the influence of word borrowing and loaning upon the rhyming scope. Cross-rhyming, as revealed from Zhang Lei's classical-style poems, occurred to a various extent in the form of nasal rhyming among words with -m、-n and - as the ending-syllable consonants. The paper concludes that Zhang Lei's rhyming features reflect the phonetic characteristics of Jiang-Huai Mandarin.

Key concepts: Zhàng, Poetry, Style (visual arts), Syllable, Literature, Rhyme, Art, Classical Chinese poetry

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