2005•Journal of Guizhou UniversityRequires access

On the Spiritual Relative of Li Jianwu and the Traditional Criticism

Zhou Li-yan

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Abstract

The theory of Li Jianwu's literary criticism has its root in the cosmopolitism agitation during the period of the May 4th Movement and the traditional criticism in the ancient Chinese literature,with the two serving as the base of his literary criticism paradigms.His author-centered critical view is from the literary view of poetry expresses poets' will,which is frequently observed in the ancient Chinese literary essays,and his ego-enter critical maneuver features Meng Zi's critical tradition of using reader's intention to deduce the author's will.

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The theory of Li Jianwu's literary criticism has its root in the cosmopolitism agitation during the period of the May 4th Movement and the traditional criticism in the ancient Chinese literature,with the two serving as the base of his literary criticism paradigms.His author-centered critical view is from the literary view of poetry expresses poets' will,which is frequently observed in the ancient Chinese literary essays,and his ego-enter critical maneuver features Meng Zi's critical tradition of using reader's intention to deduce the author's will.

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Available abstract

The theory of Li Jianwu's literary criticism has its root in the cosmopolitism agitation during the period of the May 4th Movement and the traditional criticism in the ancient Chinese literature,with the two serving as the base of his literary criticism paradigms.His author-centered critical view is from the literary view of poetry expresses poets' will,which is frequently observed in the ancient Chinese literary essays,and his ego-enter critical maneuver features Meng Zi's critical tradition of using reader's intention to deduce the author's will.

Key concepts: Criticism, Literature, Poetry, Literary criticism, Philosophy, Literary science, Sociological criticism, Period (music)

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