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2007•Zhongguo Renmin Daxue xuebaoRequires access

On Literary Form "Qing" in Wei-Jing and South-North Dynasties——and on Tao Yuan-min's Moral Character

He Zhuang

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Abstract

Qing is one of most important concepts in colorful and profound Chinese philosophy and aesthetics,and it was key period in Wei-Jing and South-North Dynasties when philosophical Qing became aesthetic one.Qing influenced by metaphysics gave total impact on aesthetics;and metaphysics in different stages made a fine distinction of Qing aesthetics,consequently formed structure of difference within uniformity in literary form in the two stages,the former one was mainly Qing-xing,the later one was mainly Qing-li.

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Qing is one of most important concepts in colorful and profound Chinese philosophy and aesthetics,and it was key period in Wei-Jing and South-North Dynasties when philosophical Qing became aesthetic one.Qing influenced by metaphysics gave total impact on aesthetics;and metaphysics in different stages made a fine distinction of Qing aesthetics,consequently formed structure of difference within uniformity in literary form in the two stages,the former one was mainly Qing-xing,the later one was mainly Qing-li.

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Available abstract

Qing is one of most important concepts in colorful and profound Chinese philosophy and aesthetics,and it was key period in Wei-Jing and South-North Dynasties when philosophical Qing became aesthetic one.Qing influenced by metaphysics gave total impact on aesthetics;and metaphysics in different stages made a fine distinction of Qing aesthetics,consequently formed structure of difference within uniformity in literary form in the two stages,the former one was mainly Qing-xing,the later one was mainly Qing-li.

Key concepts: Metaphysics, Character (mathematics), Philosophy, Period (music), Six Dynasties, Moral character, Literature, Key (lock)

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