2008Journal of Tangshan Teachers CollegeRequires access

Discussion on Qi from the Critical Perspective in the Poetry Theory of Ming Dynasty

HU Jian-ci

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Abstract

Qi from the critical perspective in the poetry theory of Ming Dynastyins mainly embodied in three dimensions:the first dimension is the expression of as the essence of poetry;the second is the research on aesthetic features and requiems;the third one is the inspect of qi from the creative point of view. The three dimensions continue the discussion on the qi of the poetry,makes it extended,enriched and deepened in many aspects.

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What this paper is about

Qi from the critical perspective in the poetry theory of Ming Dynastyins mainly embodied in three dimensions:the first dimension is the expression of as the essence of poetry;the second is the research on aesthetic features and requiems;the third one is the inspect of qi from the creative point of view. The three dimensions continue the discussion on the qi of the poetry,makes it extended,enriched and deepened in many aspects.

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Available abstract

Qi from the critical perspective in the poetry theory of Ming Dynastyins mainly embodied in three dimensions:the first dimension is the expression of as the essence of poetry;the second is the research on aesthetic features and requiems;the third one is the inspect of qi from the creative point of view. The three dimensions continue the discussion on the qi of the poetry,makes it extended,enriched and deepened in many aspects.

Key concepts: Poetry, Perspective (graphical), Embodied cognition, Dimension (graph theory), Philosophy, Expression (computer science), Literature, Point (geometry)

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