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2007•Journal of Sichuan University of Science & EngineeringRequires access

The Transformation of XU Wei's Calligraphy and Painting and It's Philosophy of Heart Background in the Late Ming Dynasty

Fan Mei

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Abstract

XU Wei is regarded as a creative man in the art realm of the calligraphy and painting in the late Ming Dynasty of China. How did his calligraphy and painting form in the big and small social environment? In the past, the researchers usually studied the result of the transformation, but neglected the reasons for this result. This paper describes the characteristics of the transform, tries to find the drive for the transform, and thinks the transformation of philosophy of heart was an importance factor.

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XU Wei is regarded as a creative man in the art realm of the calligraphy and painting in the late Ming Dynasty of China. How did his calligraphy and painting form in the big and small social environment? In the past, the researchers usually studied the result of the transformation, but neglected the reasons for this result. This paper describes the characteristics of the transform, tries to find the drive for the transform, and thinks the transformation of philosophy of heart was an importance factor.

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Available abstract

XU Wei is regarded as a creative man in the art realm of the calligraphy and painting in the late Ming Dynasty of China. How did his calligraphy and painting form in the big and small social environment? In the past, the researchers usually studied the result of the transformation, but neglected the reasons for this result. This paper describes the characteristics of the transform, tries to find the drive for the transform, and thinks the transformation of philosophy of heart was an importance factor.

Key concepts: Calligraphy, Realm, Painting, Transformation (genetics), China, Art, Art history, Literature

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