The Actuality and Development of Chinese Traditional Paintings in Pluralistic Context

This paper is intended to expatiate the transition from Chinese traditional aesthetic spirit of syncretism of nature and humans to characters of paintings which depend on each other for existence in several orientations such as deep research of tradition,heart relating to life,broad relation to self-restraint and acceptance of Chinese and the West during the stage while characters in both new and old eras transit.This may thus construct a modernistic art platform and a positive healthy developing trend for Chinese paintings of the time.