2013•Journal of Ningbo Radio & TV UniversityRequires access

Breakthroughs and Plight of the Modern Chinese Poetry——Taking 1900-1949 Poetry Theory Construction as the Research Object

Xue Zhao-x

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Abstract

When we look into the development of Modern Chinese Poetry in first half of the 20th century,we will find that the construction of poetic paradigm and poetry practices had been tested both by classical Chinese poetics and Western Poetics.Modern Chinese Poetry is always in the urge to create,trying to establish an independent aesthetic connotation,but there are still more difficulties than achievements,so which leads to the poetry theorists' questioning and poets' reflection.

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What this paper is about

When we look into the development of Modern Chinese Poetry in first half of the 20th century,we will find that the construction of poetic paradigm and poetry practices had been tested both by classical Chinese poetics and Western Poetics.Modern Chinese Poetry is always in the urge to create,trying to establish an independent aesthetic connotation,but there are still more difficulties than achievements,so which leads to the poetry theorists' questioning and poets' reflection.

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Available abstract

When we look into the development of Modern Chinese Poetry in first half of the 20th century,we will find that the construction of poetic paradigm and poetry practices had been tested both by classical Chinese poetics and Western Poetics.Modern Chinese Poetry is always in the urge to create,trying to establish an independent aesthetic connotation,but there are still more difficulties than achievements,so which leads to the poetry theorists' questioning and poets' reflection.

Key concepts: Poetry, Poetics, Connotation, Object (grammar), Chinese poetry, Literature, Research Object, Classical Chinese poetry

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