Diverse Narrations in Breaking the Margin: Taiwan Novels in the 1950's
Huang Wan-hua
Abstract
Huang Wan-hua
Abstract
In the 1950's,novels in Taiwan developed such forms of novels as modernism,female narration,Taiwan folklore beyond the ideology of opposing the Communists and resisting Russia and produced a form of novel deviating from official ideology just inside some mainstream category,shaping diverse marginal forms.The struggle between dynamic configuration of novel development and stiff political institutions and ideology created a climate in which novels in Taiwan managed to gain a lot of individual room in spite of the high political pressure in the 1950's,which contributed fruitful achievements Taiwan novels as well as Chinese contemporary novels in the 1960's.
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In the 1950's,novels in Taiwan developed such forms of novels as modernism,female narration,Taiwan folklore beyond the ideology of opposing the Communists and resisting Russia and produced a form of novel deviating from official ideology just inside some mainstream category,shaping diverse marginal forms.The struggle between dynamic configuration of novel development and stiff political institutions and ideology created a climate in which novels in Taiwan managed to gain a lot of individual room in spite of the high political pressure in the 1950's,which contributed fruitful achievements Taiwan novels as well as Chinese contemporary novels in the 1960's.
Key concepts: Ideology, Mainstream, Narrative, Folklore, Politics, Aesthetics, Literature, Sociology