Animation’s Extension and Conversion for "Xing, Guan, Qun, Yuan" Poetic Concept
Yang Ai-lu
Abstract
Yang Ai-lu
Abstract
It is clarified that works,as an art form with multi-cultural elements,have formed a strong spread of aesthetic superiority in literature.It is pointed out that is a modern aesthetic trial with changing meaning of Chinese traditional poetry,with theory of Xing,Guan,Qun,Yuan as base,the modern technology as media to build unique and new animation poetry.Xing,Guan,Qun,Yuan in traditional poetic concept has built a deep meaning for poetic and enriched art signifying of it.In process of extension and conversion of traditional poetic concept,animation works have formed the same addiction power of aesthetic,interpreted modern survival situation of Xing,Guan,Qun,Yuan poetic concept under provision and constraint of inner logic in literary history tradition and achieved its own aesthetic practice.
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It is clarified that works,as an art form with multi-cultural elements,have formed a strong spread of aesthetic superiority in literature.It is pointed out that is a modern aesthetic trial with changing meaning of Chinese traditional poetry,with theory of Xing,Guan,Qun,Yuan as base,the modern technology as media to build unique and new animation poetry.Xing,Guan,Qun,Yuan in traditional poetic concept has built a deep meaning for poetic and enriched art signifying of it.In process of extension and conversion of traditional poetic concept,animation works have formed the same addiction power of aesthetic,interpreted modern survival situation of Xing,Guan,Qun,Yuan poetic concept under provision and constraint of inner logic in literary history tradition and achieved its own aesthetic practice.
Key concepts: Guan, Poetry, Meaning (existential), Extension (predicate logic), Literature, Animation, Art, Aesthetics