Boundary of the "Beauty" in Confucian Aesthetics of the Pre-Qin Period
Qian Zhang
Abstract
Qian Zhang
Abstract
Beauty is a very important concept in Confucian aesthetics of the pre-Qin period(before 221 BC,when the first emperor of Qin Dynasty united China).Confucian aesthetics of that period defines this concept in terms of two major aspects: the negative approach by which it is stressed that beauty is not good in the aesthetic meaning;the positive way by which two factors are stressed: one is that beauty is relevant to the feeling which is not an animal's sense,the other is that beauty is highlighted as a special form(wen) with a certain meaning.The beauty in Confucian aesthetics of the pre-Qin period may be defined as a wen(form) capable of communicating feelings or activating the reaction of feelings.
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Beauty is a very important concept in Confucian aesthetics of the pre-Qin period(before 221 BC,when the first emperor of Qin Dynasty united China).Confucian aesthetics of that period defines this concept in terms of two major aspects: the negative approach by which it is stressed that beauty is not good in the aesthetic meaning;the positive way by which two factors are stressed: one is that beauty is relevant to the feeling which is not an animal's sense,the other is that beauty is highlighted as a special form(wen) with a certain meaning.The beauty in Confucian aesthetics of the pre-Qin period may be defined as a wen(form) capable of communicating feelings or activating the reaction of feelings.
Key concepts: Beauty, Feeling, Aesthetics, Meaning (existential), Emperor, Period (music), China, Art