2000•Unpublished venueRequires access

The Victorians and the Visual Imagination

Kate Flint

Open publisher page 119 citations

Abstract

1. The visible and the unseen 2. 'The mote within the eye' 3. Blindness and insight 4. Lifting the veil 5. Under the ice 6. The buried city 7. The role of the art critic 8. Criticism, language and narrative 9. Surface and depth 10. Hallucination and vision Conclusion: the Victorian horizon.

About this research paper

What this paper is about

1. The visible and the unseen 2. 'The mote within the eye' 3. Blindness and insight 4. Lifting the veil 5. Under the ice 6. The buried city 7. The role of the art critic 8. Criticism, language and narrative 9. Surface and depth 10. Hallucination and vision Conclusion: the Victorian horizon.

Why it matters

OpenAlex reports 119 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

1. The visible and the unseen 2. 'The mote within the eye' 3. Blindness and insight 4. Lifting the veil 5. Under the ice 6. The buried city 7. The role of the art critic 8. Criticism, language and narrative 9. Surface and depth 10. Hallucination and vision Conclusion: the Victorian horizon.

Key concepts: Narrative, Criticism, Blindness, Horizon, Art, Aesthetics, Visual arts, Psychology

Related papers

Back to paper searchBrowse research topicsOriginal source
The Victorians and the Visual Imagination — Research Paper | ScholarLens