Victorian literature and the Victorian visual imagination
Author information unavailable
Abstract
Author information unavailable
Abstract
19th-century British culture frequently represented the eye as the pre-eminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over such topics as the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they being to construct a history of seeing in the Victorian period.
OpenAlex reports 72 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
19th-century British culture frequently represented the eye as the pre-eminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over such topics as the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they being to construct a history of seeing in the Victorian period.
Key concepts: Victorian literature, Art, History, Literature, Visual arts, Aesthetics