2015•University of the Arts London Research Online (University of the Arts London)Requires access

Step Inside Love

Emma Talbot

Open publisher page 0 citations

Abstract

Solo artist exhibition at Domobaal, London. In Emma Talbot's practice it is as much the mining of her own autobiography, as the biographies of others, both real, imaginary, and fictional, that is explored, sliced–open, edited and articulated. Micro memories and fantasies jostle on macro canvases. She negotiates the twentieth and twenty–first century struggle of the individual in life, in the family, at home, and in society through her work. The outcome is articulated directly onto canvas and paper, always with painter's brush and always freehand. The language of representation is developed into her own visual vocabulary, saturated with lived and unlived echoes.

About this research paper

What this paper is about

Solo artist exhibition at Domobaal, London. In Emma Talbot's practice it is as much the mining of her own autobiography, as the biographies of others, both real, imaginary, and fictional, that is explored, sliced–open, edited and articulated. Micro memories and fantasies jostle on macro canvases. She negotiates the twentieth and twenty–first century struggle of the individual in life, in the family, at home, and in society through her work. The outcome is articulated directly onto canvas and paper, always with painter's brush and always freehand. The language of representation is developed into her own visual vocabulary, saturated with lived and unlived echoes.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Solo artist exhibition at Domobaal, London. In Emma Talbot's practice it is as much the mining of her own autobiography, as the biographies of others, both real, imaginary, and fictional, that is explored, sliced–open, edited and articulated. Micro memories and fantasies jostle on macro canvases. She negotiates the twentieth and twenty–first century struggle of the individual in life, in the family, at home, and in society through her work. The outcome is articulated directly onto canvas and paper, always with painter's brush and always freehand. The language of representation is developed into her own visual vocabulary, saturated with lived and unlived echoes.

Key concepts: Painting, Exhibition, The Imaginary, Visual arts, Representation (politics), Art, Biography, Vocabulary

Related papers

Back to paper searchBrowse research topicsOriginal source
Step Inside Love — Research Paper | ScholarLens