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Nandipha Mntambo – defying labels

Susan Ecclestone

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Abstract

In this interview, artist Nandipha Mntambo talks about how she manipulates cowhides into sculptural installations by firstly moulding them to her body. She explains how her depiction and representation of self, comes out of a struggle with boundaries and labels. We also explore the appropriation of her as an artist into the canon of Contemporary African Art.

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What this paper is about

In this interview, artist Nandipha Mntambo talks about how she manipulates cowhides into sculptural installations by firstly moulding them to her body. She explains how her depiction and representation of self, comes out of a struggle with boundaries and labels. We also explore the appropriation of her as an artist into the canon of Contemporary African Art.

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OpenAlex reports 2 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

In this interview, artist Nandipha Mntambo talks about how she manipulates cowhides into sculptural installations by firstly moulding them to her body. She explains how her depiction and representation of self, comes out of a struggle with boundaries and labels. We also explore the appropriation of her as an artist into the canon of Contemporary African Art.

Key concepts: Depiction, Appropriation, Representation (politics), Art, Visual arts, Aesthetics, Self representation, Philosophy

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