Emotion and music: A view from the cultural psychology of music
Nicola Dibben
Abstract
Nicola Dibben
Abstract
This paper provides an overview of current thinking in music cognition regarding the perception of emotion in music. A componential view of emotion is adopted, and a variety of routes by which music expresses emotion are presented. Two main questions for future research are identified: first, the extent to which perception and induction of emotion through music is shared cross-culturally, and second, identification of the factors that contribute to the cross-cultural perception of emotion in music. By drawing upon a biologically and ecologically informed perspective this paper aims to identify routes for future research that would enable music cognition research to shed light on the socio-historical variability of emotion perception through music.
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This paper provides an overview of current thinking in music cognition regarding the perception of emotion in music. A componential view of emotion is adopted, and a variety of routes by which music expresses emotion are presented. Two main questions for future research are identified: first, the extent to which perception and induction of emotion through music is shared cross-culturally, and second, identification of the factors that contribute to the cross-cultural perception of emotion in music. By drawing upon a biologically and ecologically informed perspective this paper aims to identify routes for future research that would enable music cognition research to shed light on the socio-historical variability of emotion perception through music.
Key concepts: Music and emotion, Music psychology, Perception, Perspective (graphical), Psychology, Music perception, Variety (cybernetics), Cognition