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The 'E' in NIME: musical expression with new computer interfaces

Christopher Dobrian, Daniel Koppelman

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Abstract

Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controlling Sound? Thisarticle begins with a brief overview of expression in musical performance, and examines some of the characteristics ofeffective “expressive” computer music instruments. It becomes apparent that sophisticated musical expressionrequires not only a good control interface but also virtuosic mastery of the instrument it controls. By studying effective acoustic instruments, choosing intuitive but complexgesture-sound mappings that take advantage of established instrumental skills, designing intelligent characterizationsof performance gestures, and promoting long-term dedicated practice on a new interface, computer music instrumentdesigners can enhance the expressive quality of computer music performance.

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What this paper is about

Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controlling Sound? Thisarticle begins with a brief overview of expression in musical performance, and examines some of the characteristics ofeffective “expressive” computer music instruments. It becomes apparent that sophisticated musical expressionrequires not only a good control interface but also virtuosic mastery of the instrument it controls. By studying effective acoustic instruments, choosing intuitive but complexgesture-sound mappings that take advantage of established instrumental skills, designing intelligent characterizationsof performance gestures, and promoting long-term dedicated practice on a new interface, computer music instrumentdesigners can enhance the expressive quality of computer music performance.

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OpenAlex reports 132 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controlling Sound? Thisarticle begins with a brief overview of expression in musical performance, and examines some of the characteristics ofeffective “expressive” computer music instruments. It becomes apparent that sophisticated musical expressionrequires not only a good control interface but also virtuosic mastery of the instrument it controls. By studying effective acoustic instruments, choosing intuitive but complexgesture-sound mappings that take advantage of established instrumental skills, designing intelligent characterizationsof performance gestures, and promoting long-term dedicated practice on a new interface, computer music instrumentdesigners can enhance the expressive quality of computer music performance.

Key concepts: Musical expression, Expression (computer science), Computer science, Gesture, Interface (matter), Musical, New Interfaces for Musical Expression, Human–computer interaction

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