2011Acta SociologicaRequires access

Highbrow culture in Finland: Knowledge, taste and participation

Semi Purhonen, Jukka Gronow, Keijo Rahkonen

Open publisher page 105 citations

Abstract

This article explores the social distribution of involvement in highbrow culture in light of three issues being discussed in cultural sociology. One is that highbrow cultural orientation is an indicator of cultural capital or of social status. A second, the ‘meltdown scenario’, suggests that not only the popularity of highbrow activities, but also their distinctiveness, has decreased among younger cohorts in comparison to older cohorts. A third deals with the ‘feminization’ of highbrow culture. These issues are empirically addressed in contemporary Finland using nationally representative survey data. Highbrow culture is measured in three dimensions of cultural practices – knowledge, taste and participation – covering four different fields: music, literature, cinema and the visual arts. The results support all three arguments: First, education and occupational class are important social determinants of involvement in highbrow culture in Finland. Second, younger age cohorts show less interest in highbrow culture than do older Finns. Third, women tend to be more involved in highbrow culture than men. The results indicate considerable stability across the measures of highbrow culture and cultural fields. Social determinants of knowledge and cinema, however, are different from those in other dimensions and fields.

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What this paper is about

This article explores the social distribution of involvement in highbrow culture in light of three issues being discussed in cultural sociology. One is that highbrow cultural orientation is an indicator of cultural capital or of social status. A second, the ‘meltdown scenario’, suggests that not only the popularity of highbrow activities, but also their distinctiveness, has decreased among younger cohorts in comparison to older cohorts. A third deals with the ‘feminization’ of highbrow culture. These issues are empirically addressed in contemporary Finland using nationally representative survey data. Highbrow culture is measured in three dimensions of cultural practices – knowledge, taste and participation – covering four different fields: music, literature, cinema and the visual arts. The results support all three arguments: First, education and occupational class are important social determinants of involvement in highbrow culture in Finland. Second, younger age cohorts show less interest in highbrow culture than do older Finns. Third, women tend to be more involved in highbrow culture than men. The results indicate considerable stability across the measures of highbrow culture and cultural fields. Social determinants of knowledge and cinema, however, are different from those in other dimensions and fields.

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Available abstract

This article explores the social distribution of involvement in highbrow culture in light of three issues being discussed in cultural sociology. One is that highbrow cultural orientation is an indicator of cultural capital or of social status. A second, the ‘meltdown scenario’, suggests that not only the popularity of highbrow activities, but also their distinctiveness, has decreased among younger cohorts in comparison to older cohorts. A third deals with the ‘feminization’ of highbrow culture. These issues are empirically addressed in contemporary Finland using nationally representative survey data. Highbrow culture is measured in three dimensions of cultural practices – knowledge, taste and participation – covering four different fields: music, literature, cinema and the visual arts. The results support all three arguments: First, education and occupational class are important social determinants of involvement in highbrow culture in Finland. Second, younger age cohorts show less interest in highbrow culture than do older Finns. Third, women tend to be more involved in highbrow culture than men. The results indicate considerable stability across the measures of highbrow culture and cultural fields. Social determinants of knowledge and cinema, however, are different from those in other dimensions and fields.

Key concepts: Highbrow, Taste, Cultural capital, Sociology, Popularity, Foregrounding, Habitus, Social science

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