Pulse Technique for the Reciprocity Calibration of Microphones
R. L. Terry, R. B. Watson
Abstract
R. L. Terry, R. B. Watson
Abstract
This paper describes a pulse technique which makes possible a free-field reciprocity calibration of a microphone indoors, without recourse to an anechoic chamber. The method is limited to frequencies above the middle audio range by consideration of the room size and pulse spectrum. An experimental calibration of a microphone is included, and waveforms are presented which demonstrate the validity of the method.
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This paper describes a pulse technique which makes possible a free-field reciprocity calibration of a microphone indoors, without recourse to an anechoic chamber. The method is limited to frequencies above the middle audio range by consideration of the room size and pulse spectrum. An experimental calibration of a microphone is included, and waveforms are presented which demonstrate the validity of the method.
Key concepts: Anechoic chamber, Microphone, Acoustics, Reciprocity (cultural anthropology), Calibration, Pulse (music), Waveform, Computer science