1951The Journal of the Acoustical Society of AmericaRequires access

Pulse Technique for the Reciprocity Calibration of Microphones

R. L. Terry, R. B. Watson

Open publisher page 7 citations

Abstract

This paper describes a pulse technique which makes possible a free-field reciprocity calibration of a microphone indoors, without recourse to an anechoic chamber. The method is limited to frequencies above the middle audio range by consideration of the room size and pulse spectrum. An experimental calibration of a microphone is included, and waveforms are presented which demonstrate the validity of the method.

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What this paper is about

This paper describes a pulse technique which makes possible a free-field reciprocity calibration of a microphone indoors, without recourse to an anechoic chamber. The method is limited to frequencies above the middle audio range by consideration of the room size and pulse spectrum. An experimental calibration of a microphone is included, and waveforms are presented which demonstrate the validity of the method.

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OpenAlex reports 7 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

This paper describes a pulse technique which makes possible a free-field reciprocity calibration of a microphone indoors, without recourse to an anechoic chamber. The method is limited to frequencies above the middle audio range by consideration of the room size and pulse spectrum. An experimental calibration of a microphone is included, and waveforms are presented which demonstrate the validity of the method.

Key concepts: Anechoic chamber, Microphone, Acoustics, Reciprocity (cultural anthropology), Calibration, Pulse (music), Waveform, Computer science

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