Jon Appleton
Abstract
A composer of electroacoustic music who participated in the establishment of a live performance tradition reflects on the aesthetic and practical limitations of digital performance instruments from a broad cultural perspective.
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A composer of electroacoustic music who participated in the establishment of a live performance tradition reflects on the aesthetic and practical limitations of digital performance instruments from a broad cultural perspective.
Key concepts: Electroacoustic music, Performing arts, Perspective (graphical), Contemporary classical music, Aesthetics, Performance practice, Visual arts, Art