1997Journal of New Music ResearchRequires access

Live electroacoustic music: Old problems, new solutions

Bruce W. Pennycook

Open publisher page 10 citations

Abstract

This paper presents some observations on certain fundamental issues associated with the presentation of music which combines performers and electronically generated and processed signals delivered by loudspeakers. I contend that several factors have limited the growth of the genre and will attempt to illustrate their origins and consequences. These comments lead to some general recommendations to correct the situation and to some observations from my own experiences as a composer and performer. Finally, I examine a few new technologies which may soon impact the genre.

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What this paper is about

This paper presents some observations on certain fundamental issues associated with the presentation of music which combines performers and electronically generated and processed signals delivered by loudspeakers. I contend that several factors have limited the growth of the genre and will attempt to illustrate their origins and consequences. These comments lead to some general recommendations to correct the situation and to some observations from my own experiences as a composer and performer. Finally, I examine a few new technologies which may soon impact the genre.

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OpenAlex reports 10 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

This paper presents some observations on certain fundamental issues associated with the presentation of music which combines performers and electronically generated and processed signals delivered by loudspeakers. I contend that several factors have limited the growth of the genre and will attempt to illustrate their origins and consequences. These comments lead to some general recommendations to correct the situation and to some observations from my own experiences as a composer and performer. Finally, I examine a few new technologies which may soon impact the genre.

Key concepts: Electroacoustic music, Performing arts, Loudspeaker, Presentation (obstetrics), Computer science, Aesthetics, Visual arts, Human–computer interaction

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