Live electroacoustic music: Old problems, new solutions
Bruce W. Pennycook
Abstract
Bruce W. Pennycook
Abstract
This paper presents some observations on certain fundamental issues associated with the presentation of music which combines performers and electronically generated and processed signals delivered by loudspeakers. I contend that several factors have limited the growth of the genre and will attempt to illustrate their origins and consequences. These comments lead to some general recommendations to correct the situation and to some observations from my own experiences as a composer and performer. Finally, I examine a few new technologies which may soon impact the genre.
OpenAlex reports 10 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
This paper presents some observations on certain fundamental issues associated with the presentation of music which combines performers and electronically generated and processed signals delivered by loudspeakers. I contend that several factors have limited the growth of the genre and will attempt to illustrate their origins and consequences. These comments lead to some general recommendations to correct the situation and to some observations from my own experiences as a composer and performer. Finally, I examine a few new technologies which may soon impact the genre.
Key concepts: Electroacoustic music, Performing arts, Loudspeaker, Presentation (obstetrics), Computer science, Aesthetics, Visual arts, Human–computer interaction